Sixth Salon Digital
Sixth Salon Digital
Eventseries / 15.05.2017
With Julian Hespenheide.
The Biotic Explorers Research Group
„The Biotic Explorers Research Group“ from Julian-Anthony Hespenheide is a fictitious association and the collaborative effort of scientists from different European countries that worked on the borders of technological explorations in a scientific context under the administration of the U.S. Department for Transcontinental Scientific Exchange during the 1970s and the early 1980s. In their researches, they traveled far and wide throughout Europe to visit different locations to observe, record and explore the behaviour of the regional biota.
Due to its classified nature only a marginally small amount of reports, out of 45 conducted researches and experiments, as well as the blueprints for a possible novel communication technology, based on fungal networks, could be retrieved from an unknown source. The results are distilled into two artefactual objects: A scientific book containing reports and their accompanying illustrations and scientific diagrams, ordered chronologically. The other object is an experimental setup, instantiating the communication technology that was discovered by the Biotic Explorers.
Passages from the diverse reports will be presented for the first time to a public audience. After the reading, a small demonstration of the machine will conclude the public appearance of the Biotic Explorers Research Group once and for all.
22.05.2017, 6 pm
Room 4.15.070, Speicher XI, Bremen
Exhibition: 23. - 28.05.2017
The program for Digital Media at the University of the Arts Bremen launched a regular series of salon-style gatherings titled “Spectacle: Reenactments in the Arts, Design, Science and Technology.” The events have an open format and provide a forum for experiments, presentations and performances from a range of different fields, but with a common focus on old and new media, as well as technologies. The salon thereby enables a practice of reenactment as a way to make things past and hidden visible, present and also questionable.
Contemporary new technologies and media seem to cover knowledge with complex layers of materials, code/sign systems and history/organization. Reenacting can translate obscured knowledge, ideas and theories into bodies and actions. At the heart of this conceptual approach is a desire to turn past events into present experiences—although the very nature of the past prohibits such an endeavor.
The salon pursues the primary goal of opening closed systems and constructions (black boxes). Global power structures, as well as complex processes in development and production—leading to hermetic constructs—have made it even harder to understand science, economy and contemporary media, as well as new technologies. Recipients therefore tend to mostly grasp only their superficial level. The spectacle is a way to condense actions and processes. Reenactment, on the other hand, builds on repetition and history. But the spectacle is a moment in the here and now where everything flows together and culminates.
Organised by: Andrea Sick, Ralf Baecker und Dennis Paul