Salon Digital - Book Readings
Salon Digital - Book Readings
Presentation / 22. - 26.05.2020
The Salon Digital presents its publication Vol. 1 with readings:
22.06., 8 pm: Ralf Baecker, Dennis Paul, Andrea Sick
Andrea Sick reads from: Embodied trade flow - Mariana Schetini Basso
Ralf Baecker reads from: Reenacting Science – Wissenschaftsforscher* innen und Künstler*innen in biologischen Laboren - Gabriele Gramelsberger
Dennis Paul reads from: Myopian Survey - Kerstin Ergenzinger
23.06., 8 pm: Jan Charzinski, Julian Hespenheide
Julian Hespenheide reads from: Revisiting Odarodle: Performing the Schwules Museum* - Ashkan Sepahvand
Jan Charzinski reads from: Test Execution Host - Martin Howse
24.06., 8 pm: Irena Kukrić, Georg Trogemann
Georg Trogemann reads from: The Urigin of UR – Das Traktat - Jan Charzinski
Irena Kukrić reads from: Civil wilderness – A salon sauvage - Helene von Oldenburg & Claudia Reiche
25.06., 8 pm: Kerstin Ergenzinger, Claudia Reiche & Helene von Oldenburg
Kerstin Ergenzinger reads from: Menschen als Software Erweiterungen - Sebastian Schmieg
Claudia Reiche reads from: Biotic Explorers Research Group - Anthony Reed#
Helene von Oldenburg reads from: Nobody is Here - Irena Kukrić
26.06., 8 pm: Martin Howse, Luiz Zanotello
Luiz Zanotello reads from: Reenacting Poiesis – Mehr Anarchie in der Technik! -Georg Trogemann
Martin Howse reads from: On Reading and Writing, on Record and Paradox: An Imaginary Habitat of Recognition - Luiz Zanotello
22. - 26.06.2020, each 8 pm
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Reenactments in Kunst, Gestaltung, Wissenschaft und Technologie
Reenactments in Art, Design, Science and Technology
Salon Digital Band / Vol. 1
Ralf Baecker, Dennis Paul, Andrea Sick (Hochschule für Künste Bremen)
Design: Sarah Käsmayr, Layout with Cássia Vila
Copyediting: Katha Schulte (german), Allison Moseley (english)
256 Seiten – Fadengeheftete Broschur – 17 x 24 cm – 28 Euro
Textem Verlag, 2020
Supported by the Hochschule für Künste Bremen.
Re-enactment can translate ideas, history and theory into physical entities and actions. At the centre is the concept of visualising past events, initiated by the wish to make it possible to experience fundamentally unrepeatable history, and thus expose the mechanisms and fantasies of the ‘new’. Re-enactment presents an opportunity to observe media and their contexts in a new way, to immerse oneself in the conditions of production through one’s own actions. In this respect, re-enactment should not necessarily be considered an attempt at a faithful ‘re-staging’, but an interpretation, which makes use of new means and takes place in an expanded or altered context. A re-enactment in art, design, science and technology is indeed, however, a re-staging, to the extent that it is necessary to present it within a setting as a singular event.
This first volume from the series Re-enactments in Art, Design, Science and Technology gathers contributions to the salons sponsored by the Hochschule für Künste Bremen, from 2016 to late 2018. These are supplemented by texts written by those who were invited to contribute to the book, all of which focus on the re-enactment of technologies and theories and are distinguished by an artistic, scientific method of work.
With 14 contributions in German and English by:
Mariana Schetini Basso, Jan Charzinski, Kerstin Ergenzinger, Christian Faubel, Gabriele Gramelsberger, Julian-Anthony Hespenheide, Martin Howse, Irena Kukrić, Helene von Oldenburg, Claudia Reiche, Sebastian Schmieg, Ashkan Sepahvand, Julian Stubbe, Georg Trogemann, Luiz Zanotello