Long night of music

Several concerts will take place at the University of the Arts Bremen as part of the ‘Long Night of Music’.
Admission to all concerts is free!

Concert Hall, Room 2.05

• 7.30 pm / 8.00 pm oh ton Ensemble LANDSCAPES“Landscapes” describes the exploration of sound in notated music within both electronic/acoustic and physical spaces. “Quasi Notturno. Next Coming II” (2025) for piano, percussion and transducer by Núria Giménez-Comas works with feedback and live sample loops across the expansive stage and auditorium. John Luther Adams’ work “Red Arc/Blue Veil” (2007) unfolds from the stage in slowly changing sonic events in an almost meditative form.
  Patricia Martins (piano), Michael Pattmann (percussion), Núria Giménez Comas (composition, sound design), Ruben Philipp Gottschalk (sound design)
  A contribution by oh ton e.V., Oldenburg
   
• 8.45 pm / 9.15 pm Something New? HfK students present contemporary music by HfK students
  Selina Feklina: “Something New?”
  Alvaro Córdova Luna (violin), Michael Schorr (cello)
  Santiago Pisano: “Zwischen den …”
  Fiona Paulini (flute)
  j 5 6 5 “Record - replay - record – replay”
  Concept and performance: Emilio Botto (cornet), Nae Matakas (soprano), T. Santiago Pisano (performer), Monica Sanguedolce (trumpet)
  This interactive work engages in a dialogue with the audience about the everyday use of smartphones. Listeners are invited to record and play back sounds performed live, transforming their personal devices into musical instruments. The piece blurs the roles between performers and audience.
  A contribution from the Atelier Neue Musik (HfK), Bremen

Electroacoustic Studio, Room 0.35

• 7.45 pm / 8.30 pm Listening Session
  Eunyoung Jang presents two of her own compositions on the studio’s 3D loudspeaker setup for electroacoustic music: ‘Textures of Thought’ (2025) and ‘In Abstimmung’ (2026).
  A contribution from the Atelier Neue Musik (HfK), Bremen

Entrance

• 7.30 pm – 10.00 pm Leon Łukasiewicz: 12. Music for an Exhibition or: 300 Allemandes (2025)
  A project of musical documentation or a Fluxus action, depending on how you look at it… The presentation of a collection of Baroque allemandes for a keyboard instrument (Allemande: the first movement of the ‘suite’ genre). Only the first halves of these pieces are played in ascending keys, with a constant tension building towards the dominant or parallel tonic. The conventions are so strict that subjective traces of ‘authorship’ virtually disappear. Original length of the montage: 10 or 20 hours.
  Karl-Ernst Went (piano)
  A contribution from the Institute of Music at the Carl von Ossietzky University of Oldenburg